new book and lyrics by Scott Miller
original book and lyrics by W.S. Gilbert
music by Arthur Sullivan
musical adaptation and orchestrations by John Gerdes
Sept. 27-Oct. 20, 2018


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Nominated for the American Theatre Critics Association's 2018 New Play Award

"Another triumph for New Line. . . a hilariously inspired joke."
-- Calvin Wilson, St. Louis Post-Dispatcch

"Both a nightmare and a delight — let's call it a delightmare."
-- Paul Friswold, The Riverfront Times

"Uproarious." -- Jeff Ritter, Critical Blast

"It's amazing. . . so much fun." -- Kevin Brackett, ReviewSTL

"A wonderful whirlwind of apocalyptic delight."
-- Tanya Seale, BroadwayWorld

"Reverently irreverent and witty. . . a delightfully fun, pointedly funny musical."
-- Tina Farmer KDHX

"Let the wackiness ensue." -- Lynn Venhaus, STL Limelight

" In terms of humor and sheer musicality, it’s remarkable."
-- Michelle Kenyon, Snoop's Theatre Thouughts

Gilbert & Sullivan's long-lost, original "operatic abomination," in its wacky world premiere!

New Line Theatre, “the bad boy of musical theatre,” has shocked the music world by discovering a long-lost first draft by the legendary British team of librettist W.S. Gilbert and composer Arthur Sullivan, who together wrote fourteen comic operas between 1871 and 1896.

One of the team's best known works, The Pirates of Penzance, originally debuted in New York in 1879, and was revived to great success in the early 1980s with Kevin Kline, Linda Ronstadt, and Rex Smith. What we now know is that there was an earlier, stranger draft of the show, which nobody knew about until now, with most of the same characters but a somewhat different plot.

In Gilbert & Sullivan's never-before seen original draft, dated December 1878 and titled The Zombies of Penzance (with the unwieldy subtitle, At Night Come the Flesh Eaters), Major-General Stanley is a retired zombie hunter, who doesn't want his daughters marrying the dreaded Zombies of Penzance (for obvious reasons). According to documents found with the manuscripts, Gilbert and Sullivan finished work on The Zombies of Penzance in early 1879, but their producer Richard D’Oyly-Carte refused to produce it, calling it vulgar, impolitic, and unchristian, and in one letter, "an operatic abomination, an obscene foray into the darkest of the occult arts." In a letter to his cousin, Gilbert expressed his deep disappointment, writing "I fear the walking dead shall be the end of me yet."

Until now, music scholars had been baffled by that reference.

After a battle that almost ended the partnership, the team reluctantly agreed to rewrite their show, and in December 1879, D'Oyly-Carte debuted the much more conventional, revised version, The Pirates of Penzance, for which Gilbert added the characters of Ruth and the policemen, and incorporated plot devices from his 1870 work Our Island Home and from Offenbach’s The Bandits. He also cut one song, Frederic's Act I lament, “They Leave Me Alone.” The music for that discarded song found its way into the score for their next show Patience, as the song "I Cannot Tell What This Love May Be.” As he had agreed, Gilbert eliminated all references to zombism in the show.

In 2013, New Line artistic director Scott Miller discovered the original manuscripts for The Zombies of Penzance in the second sub-basement of the Judson Memorial Church in New York, hidden beneath some moldy band parts from Rockabye Hamlet and Shogun the Musical, and Miller set about reconstructing the bizarre original show as G&S intended. Gilbert's walking dead and their Zombie King now make their long-delayed world premiere. Miller has painstakingly reassembled these rediscovered materials into their original form, and St. Louis composer and orchestrator John Gerdes is reconstructing Sullivan's music.

Now, for the first time, audiences are able to see and hear the comic, flesh-eating insanity Gilbert & Sullivan originally wrought.

The New Line cast included Sean Michael as Frederic, Melissa Felps as Mabel, Zachay Allen Farmer as Major General Stanley, Dominic Dowdy-Windsor as the Zombie King, with Mara Bollini, Kent Coffel, Robert Doyle, Matt Hill, Lindsey Jones, Tim Kaniecki, Kyle Kelesoma, Melanie Kozak, Sarah Porter, Christina Rios, and Kimi Short. The show was directed by Scott Miller and Mike Dowdy-Windsor, with music direction by Nicolas Valdez, lighting design by Rob Lippert, scenic design by Kenneth Zinkl, costume design by Sarah Porter, and sound design by Ryan Day.

For inquiries about production rights for The Zombies of Penzance, email Scott Miller.

Want to explore more?
We recommend:

The published Zombies of Penzance libretto on Amazon

The full published Zombies of Penzance piano-vocal score on Amazon

The Zombies of Penzance original 2018 St. Louis cast recording on Amazon

The Pirates of Penzance, in its 1980 off Broadway revival

The cast album of the 1981 Broadway production of The Pirates of Penzance

The full orchesstral score for The Pirates of Penzance