What happens when a family’s secrets are all revealed on one outrageous, pot-fueled Christmas Eve in 1959?

Poor Harry Goodson is about to find out, as he’s visited overnight by his dead brother, Jesus Christ, Sandra Dee, and Johnny Appleweed, and he finally learns what his family already knows, that the answer to all his problems is marijuana!

A wacky companion piece to the unintentionally hilarious 1936 scare film Reefer Madness, this new musical is a tongue-in-cheek response to the War on Drugs, a comic look at what a little pot and a little truth can do to a normal, average, Midwestern, American family at mid-century, just as America plunges into the chaos of the 1960s. Songs include "The Elves Get Stoned," "Heteronormative," "Love Doesn't Suck," "Hoo-Hoo of Steel," "That Stick Up Your Ass," "Better Living Through Chemistry," and other future classics.

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What's the best medicine for feeling beat up by the world?

Get ready for the outrageous, high-powered, Southern rock musical that tells the true story of “Boss Queen” Jill and her closest friends in Mississippi, and how they learn to grab life by the sequins, feathers and tiaras to live their lives out loud, on their own terms.

This new musical is based on the wildly successful Sweet Potato Queens books by New York Times bestselling author Jill Conner Browne, with music by pop icon Melissa Manchester, lyrics by hit country songwriter Sharon Vaughan, and a book by Rupert Holmes (The Mystery of Edwin Drood).

There are currently six thousand registered Sweet Potato Queens chapters in over twenty countries around the world.

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He will love you forever. Seriously. Forever.

Broadway songwriter Frank Wildhorn (Bonnie & Clyde, Wonderland, Jekyll & Hyde) delivers his most epic score for this riveting, fast-paced, Gothic rock opera, faithful to the iconic novel but with some unexpected twists and turns.

As much a tragic love story as a thriller, this terrifying and passionate retelling of the famous story dives deep into the powerful, shattering emotions of this story and these complicated relationships, as only musical theatre can. For Dracula Wildhorn reunites with his Bonnie & Clyde lyricist Don Black, for one of the wildest and most emotional rides you’ve had in the theatre in a long time.

Once again, New Line will take a show that was badly served in New York and savaged by the critics, strip it down, take it seriously, and prove what a powerful piece of theatre it can be when it's focused on human emotions instead of flashy special effects. Since its debut, the show has become an international sensation in productions around the world, despite the flawed original production.

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